With the original flat-top soundbox design, pressing down on the tongue with a dax can cause the tongue to arch up over the soundbox, causing a large drop in volume. Hans Reichel’s solution to this problem was to painstakingly sand the underneath side of every tongue so it was slightly contoured. In my approach using a contoured soundplate, that’s no longer needed, and making your own tongues is made much simpler. The contour I have developed also reduces the likelihood of unwanted buzzing that flat soundplates can introduce, and provides a fuller bass response. You will get consistent volume even for an up-bow without a dax pushing down on the tongue, which with flat soundplates will usually lift the tongue away from the soundbox. Various players have also commented that they find the improved contact with the curved soundplate makes my daxophones easier to play.